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Above:
Top
Right: Above
Right: |
Above:
Nuestra Señora de Guadalupe
Jerry Vigil
Wood, Acrylic Paint
Above
Right:
Blue Crucifix
Jay Seale
Sugar Pine, Tempera Paint,
Copper, Gold
Right:
Bultos from
Taylor Museum Collection
These
outstanding examples of Santos were photographed at a recent exhibit
at the Loveland Museum/Gallery, in Loveland, Colorado. Santos are painted or carved religious images that portray God, the Virgin Mary, the angels and the saints. The images, which had their origins in Medieval Europe, were brought to the Americas around four hundred years ago by explorers from Spain, Portugal, and Europe. By
the late 17th century, the tradition of the Santos art form was further
expanded as distinctive regional styles and subjects developed throughout
New Mexico, Central America, South America, the Philippines and other
regions of the new world where Spanish or Portuguese influence spread. Hand-hewn retablo panels were traditionally crafted from local woods, such as pine. After a panel was cut and shaped, gesso made from gypsum was applied. After the gesso dried, images were painted, using natural pigments made from plants, minerals, insects, and ochres. Brushes were made from yucca fibers, horse hair and human hair. The retablo was then sealed with a native resin varnish, such as the sap from a piñón tree. Before pine panels became widely used, retablos were painted on buffalo, deer, and elk hides. Bultos were traditionally carved from indigenous woods, such as cottonwood roots, aspen or pine, then gessoed, painted and sealed with the piñón sap varnish. Today, oil or acrylic paints, as well as manufactured varnishes are also used. Most santeros and santeras have been self-taught, but some have learned their skills as apprentices to masters. Santeros and santeras consider their work on retablos and bultos to be an act of devotion. |